Following their excellent publication, Documentary Filmmakers’ Statement of Best Practices in Fair Use, American University’s Center for Social Media has released a new document aimed at amateur producers of online video: Best Practices in Fair Use for Online Video. Since the internet is basically one giant, largely unrestricted open forum, it’s basically like a global public access channel where anyone can upload their content at will. Many of the same legal challenges and questions regarding copyrighted works come up in both venues. At VCAM we’ve been recommending AU’s documentary best practices publication to access users who wanted to learn more about copyright issues and fair use. This document seems even more appropriate. Copyfighter Cory Doctorow explains…
Fair use is a legally challenging area: it consists of four factors that judges can weigh when evaluating a claim of copyright infringement (judges can even disregard them or tweak them, based on common sense, as the Supreme Court did when they legalized VCRs in 1984). It’s very hard to know beforehand whether a use of a copyrighted work will be found fair or not — it requires careful analysis of previous caselaw and the direction in which the federal circuits are moving.
In constructing these principles, the Center for Social Media has done an enormous public service: they’ve created a plain-language document that is aimed at helping people who aren’t legal experts to navigate the muddy waters of fair use, to make use of the rights they have under the law and make better videos without getting into legal trouble.
This is an update for all you folks out there who read VCAM’s blog post from last August about Jackie Yantachka , the senior from CVU who as of yesterday has completed her Senior Grad Challenge in Broadcast Television at the VCAM studio.
It was a delight to attend her final presentation yesterday. She was in front of a packed house, filled with family, community consultants and a sizable panel of teachers and instructors.
Jackie covered everything from the appropriate use of a lapel mic to the work flow in master control. She employed an impressive Power Point presentation that included still images of nearly every component to the VCAM studio, screen captures of her FCP timeline and bin structure, plus images illustrating the strategy behind the different shots she incorporated. She concluded her presentation with a short segment from her video project highlighting a variety of footage including interviews with moviegoers, film reviews and movie clips. The uproarious applause from the crowded room was indicative of the the quality of Jackie’s work.
It was obvious from the start she arrived at VCAM with a good deal of experience, however throughout her time at the VCAM studio her skills grew even sharper. By the end, her ability to navigate the FCP interface was quite impressive.
As part of her grad challenge, Jackie was also required to write at length about her learning experience in a final paper that she concludes by saying:
For years I’ve been interested in the production of the shows that I see on TV. At the local public access channel VCAM, I was able to take on the challenge of making my own TV show and airing it – something that I have never been able to do with my previous films. VCAM is all about encouraging others in the community to learn the filming and editing processes to make their ideas come to life. For the first time, I was able to film in a studio and learn how to work the multifaceted equipment. For CVU Filmmaker’s Club, the movies I’ve been involved in have always had crews of at least four people, so with my project at VCAM, I felt that I had more control, and there was better communication with my cameraman. I was able to create a show that incorporated footage from the field, studio, and additional movie clips, and then broadcast it for many others to see. Hopefully, I will be able to continue using my skills and explore more techniques for creating TV shows like the ones I have always admired.
There’s little doubt Jackie’s wishes will be granted as she will be attending the school of communications at Syracuse University in the fall. Way to go Jackie!
Thank you for all the hard work and best of luck from all of us at VCAM!
“Starting at 18:00 GMT on May 10, 2008, locations in Cairo, Kigali, London, Los Angeles, Mumbai, and Rio de Janeiro will be linked for a live program of powerful films, live music, and visionary speakers. The entire program will be broadcast – in seven languages – to millions of people worldwide through the internet, television, and mobile phones.
The 24 short films to be featured have been selected from an international competition that generated more than 2,500 submissions from over one hundred countries. The films were chosen based on their ability to inspire, transform, and allow us see the world through another person’s eyes. Details on the Pangea Day films can be viewed here.
The program will also include a number of exceptional speakers and musical performers. Queen Noor of Jordan, CNN’s Christiane Amanpour, musician/activist Bob Geldof, and Iranian rock phenom Hypernova are among those taking part.”
Check out Rebecca Kopycinski’s opening credits for her new show Burly Song. She designed them using Adobe’s CS3 here at the VCAM studio and in the process she has rapidly become quite skilled at After Effects. Burly Song will feature performances by musicians from our local independent music scene as well as special guest appearances from touring musicians performing in the Burlington area. You can look for Burly Song to premiere on VCAM Channel 15 next week!
VCAM, CCTV and RETN are once again collaborating on the Vermont blogging experiment, Exit Voices.
If there was a comments section on your ballot on election day, what would you say? What do you think about the issues, ballot measures and candidates this election? Exit Voices is your forum. On Tuesday March 4th, Exit Voices will host a series of open threads, giving any Vermonter the opportunity to say his or her piece. Some of these comments and video entries will be highlighted on the blog and during CCTV’s live election night coverage on channel 17 and over their live web stream that evening. Stop by Exit Voices and speak you mind. The floor is yours.
Leading up to the 4th, Exit Voices will be aggregating content from all over the Vermont blogosphere and soliciting essays, photos and video posts from Vermonters across the state, discussing Town Meeting Day and the Vermont presidential primary.
Tonight at 7:30 pm Vermont Public Television is hosting a live web chat with Vermont ACLU director, Allen Gilbert, and assistant US attorney, Bill Darrow. The focus of the chat will be “Civil Liberties in a Changing World.” In an email, Gilbert writes…
I’m a panelist with Bill Darrow, an assistant U.S. attorney here in Vermont. The topic is “Civil Liberties in a Changing World.” Darrow, as you may know, is pretty aggressive in defending government actions in national security, drugs, death penalty, etc.
The chat on Wednesday will focus on national security, and I’m sure Darrow will try to belittle claims that civil liberties have been diminished because of the war on terror — or that if they have, the Bush administration has structured security programs in a way that minimizes civil liberties impacts while maximizing protection of U.S. citizens’ safety.
Go here to log into the chat — you can comment anonymously if you wish.
American University’s Center for Social Media has conducted a study about the use of copyrighted materials in user-generated video content. When YouTubers take copyrighted content and make video “mashups” and put them up on YouTube, are they breaking the law? The study, which comes from the same institution that published the Documentary Filmmakers’ Statement of Best Practices in Fair Use, is available for download here. According to the study’s site…
The study, Recut, Reframe, Recycle: Quoting Copyrighted Material in User-Generated Video, by Center director Pat Aufderheide and Peter Jaszi, co-director of the law school’s Program on Information Justice and Intellectual Property, shows that many uses of copyrighted material in today’s online videos are eligible for fair use consideration. The study points to a wide variety of practices—satire, parody, negative and positive commentary, discussion-triggers, illustration, diaries, archiving and of course, pastiche or collage (remixes and mashups)—all of which could be legal in some circumstances.
Fair use is the part of copyright law that permits new makers, in some situations, to quote copyrighted material without asking permission or paying the owners. The courts tell us that fair use should be “transformative”—adding value to what they take and using it for a purpose different from the original work. So when makers mash up several works—say, The Ten Commandments , Ben-Hur and 10 Things I Hate about You , making Ten Things I Hate about Commandments —they aren’t necessarily stealing. They are quoting in order to make a new commentary on popular culture, and creating a new piece of popular culture.
Unfortunately, this emerging, participatory media culture is at risk, with new industry practices to control piracy. Large content holders such as NBC Universal and Viacom, and online platforms such as MySpace and Veoh are already crafting agreements on removing copyrighted material from the online sites. Legal as well as illegal copying could all too easily disappear. Worse still, a new generation of media makers could grow up with a deformed and truncated notion of their rights as creators.
Check out this video of Regis Philbin discussing his run-in with Democracy Now’s Amy Goodman at a dinner part at Phil Donahue’s Manhattan penthouse. Regis almost suffers an existential crisis on the air as he admits that his show is vapid and pointless compared to the serious work being done by Goodman, which he says airs on “one of those PBS stations,” referring, of course, to PEG access channels. It almost makes you feel bad for the guy… almost.
The Nation posted an article this week about the Al Jazeera satellite news network and its growing popularity around the world. The article’s author, Ned Lamont (yes, that Ned Lamont), mentions that despite Al Jazeera English’s widespread acceptance overseas, there are precious few TV channels in the US that carry its content…
Al Jazeera’s most recent offspring, Al Jazeera English, is more like PBS on a slow day. Al Jazeera English is available around the world and even on the Israeli cable systems. But it is barely visible in the United States–Buckeye Cable in Ohio and Burlington Public Access in Vermont are the only channels that carry it.
By “Burlington Public Access,” Lamont is referring to VCAM’s sister organization RETN, which runs a 1/2 hour of fresh Al Jazeera English programming every weekday at 6:30 pm. RETN operates channel 16 on Comcast and Burlington Telecom cable systems in Chittenden County.
If there was a comments section on your ballot on election day, what would you say? What do you think about the issues, ballot measures and candidates this election? Exit Voices is your forum. On Tuesday March 4th, Exit Voices will host a series of open threads, giving any Vermonter the opportunity to say his or her piece. Some of these comments and video entries will be highlighted on the blog and during CCTV’s live election night coverage on channel 17 and over their live web stream that evening. Stop by Exit Voices and speak you mind. The floor is yours.